This giant blob of light is following me

A few years ago I renovated the front of my studio building, in the process uncovering the prismatic leaded glass above the store windows. When the building was built in 1909, shop owners had these installed to direct the light the prisms caught. Although my building spent most of its life as the Star Concertina and Accordion Company, its original purpose was as a jewelry store – J&L Jewelers. I’m guessing they wanted the kind of light that would, with the addition of some gas or early electric light, make their stuff really shine. On a sunny day a giant blob of light wanders across my studio walls, from north to south as the sun moves. It’s a real character in my studio. Here it’s falling on part of my hammer collection (got 31 so far) and a portion of a 34 foot long mural by Indiana artist George Jo Mess. A painter and illustrator prominent in the 40′s and 50′s, Mess produced this scene for his neighbor’s model train set.

Two Senks, Two Markells

from the Philadelphia and Delaware shoots, respectively.

against concrete with floral wallpaper impressions

in one of their many design spaces

at Legislative Hall, Dover

one more from Legislative Hall

Don’t know his name, but his face rings a bell

More Philadelphia. I suppose this may qualify for Bronze Statue Four. Must consult judges.

Bronze Statue Three

This summer brought me to Philadelphia and Delaware to photograph the CEO of Urban Outfitters, Glen Senk, and the Governor of Delaware, Jack Markell. Early morning my first day I took a 12 mile run along the river, passing the art museum steps immortalized in the movie ‘Rocky.’ Once upon a time a giant Stallone statue lived at the top of the stairs; now it’s lurking off to the side. I think he looks angry about this.

Stallone statue, Philadelphia Art Museum

Giant Origami Blackbirds Alight in my Studio Windows

Milwaukee Avenue’s got two new spectators.  After staring at the rolls backdrop paper leaning against a corner of my studio for a little too long I took action.  They’re folded from 9′ x 9′ squares.  They keep me informed about goings-on.

headed for my studio windows

Mr. Peanut and Twinkie the Kid seen from the passenger seat of the Weinermobile

Taken during the production of the 90′s piece below, as the Weinermobile lined up for its place in a parade.  I’m uncertain why the peanut and the snack cake are in the back of a truck, but I’m happy they felt compelled to wave at the photographer inside the giant hot dog.   Judging it by the cleanliness of its windshield, I’d say that someone had been taking the giant hot dog off-roading….

So how fast can this thing really go?

At the beginning of the 1990s, just out SAIC, I worked with producers Tom Weinberg and Joel Cohen on The 90′s, a television series that aired on PBS.  Produced almost entirely with consumer Hi-8 camcorders, the show capitalized on the decent resolution of the cameras, and the producers’ ability to ship the things around the world to people who’d aim the camera at something intriguing, then mail it back to Chicago, pre-internet, for editing.  I still have my camera, and it works great.  Tom’s amassed a spectacular archive of video from this show and from the adventures of an amazing group of documentary videographers here:  http://www.mediaburn.org, and on YouTube.  Vintage Gilson (still looking for the Lava Lite factory footage):